The sheer versatility provided by the varying prominence of guitar, flute, sax and piano, creates an atmospheric journey for the listener, improving with each listen. It begs for, and ultimately earns, the listener’s personal experiential association that Estjes desired all along.

Swedish psychedelic four piece, Dungen, have recently released their strongest LP since the 2004 masterpiece Ta Det Lungt, and it’s their first LP in five years. Allas Sak, ‘everyone’s thing’, separates the band from the hordes of 21st century shoegazing-psych-pop at the very least in terms of consistency and longevity. Few other bands have lasted like Dungen have: Without a bad release and without signs of succumbing to the seductive, technologically-orchestrated mainstream.

Mastermind frontman Gustav Estjes explained that he intended the album to be an associative experience for listeners, one in which they will be able to create their own stories, to which they can ascribe their own meanings, and in that way the album can be their thing, and even “allas sak.”